IT WAS A LONG TIME AGO, at the beginning of 1940. I was 43
years older than when I had been born. It surely was high time for
me finally to obtain some life insurance-that endowment policy I had
wanted so many years, and had never managed to get.
"Listen, my boy," I said to a friend in the insurance business. "This
gag about the dangers of Africa has lasted long enough. Yes, I have
a nice collection of wounds and broken bones in my anatomy. But
most of them were acquired during the first World War, and in horse-
riding and high jumping before that. At any rate your own doctors
cannot find a thing wrong with me. And, now, I'm through for good
with Africa. So what about a nice policy?"
"I'm all for it," he said, "But my company's interests come first. You
are simply a bad risk!"
I had come back a month before from my tenth, and absolutely last,
African expedition - just the one in which my friend and his wife had
wanted so badly to join Mrs. Gatti and myself. But that was the way
my pal felt.
I talked to another friend-another of those individuals who earn a living out of making you (and by you I
mean YOU-not me) sign on the celebrated dotted line.
I conceded that of the previous 19 years I had spent 14 on African soil. Yes. But now I was through-
finally, completely, definitely through with that kind of life. Too much
work. Too much responsibility, worry, anxiety. And not much fun left,
either. Too many regulations, too much red tape. The natives have
become too civilized, big game too rare, too well protected. To heck
with it all!
"Look," I told him. "Look at what I have just written in this booklet for
International Harvester. 'Good-bye forever to Africa. See? It's here
in black and white."
I was ready with my pen. But he didn't produce the dotted line. "I've
read that before," he answered, "You wrote something very like that
at the end of your previous expedition," he laughed. "But this time I
mean it. It's absolutely final. Can't you get that into your head?"
"Sure, sure," he grinned, "I even believe you are sincere. Today. But
wait a few years. You'll go back. No. No dice."
WELL DID I EVER THINK of going back to Africa? Not while the war
spread through Europe. Not while the war extended to the entire
world. Not even when it came to a conclusion.
My wife and I had moved to New England. We had settled in Derby
Line, a nice, quiet little community near the International boundary
with Canada. So near to it, incidentally, that half our property is in
the State of Vermont, half in the Province of Quebec-even our
house is part in the United States, part in Canada; my office with the
desk this side of the line and the telephone on the other side, with a
Canadian number.
We had worked so hard, at the beginning. Fixing this and that.
Repairing our home, our garden, the pond, the trouty long brook. Rearranging everything just the way
we had dreamed for so many years. Who would want to leave all that behind, to go back to any old
Africa? To break up our so peaceful life for the turbulent pandemonium of starting the involved,
incredibly complicated business of a new huge expedition?
Why, it wasn't even worth talking about it. But-one day I talked. It was
purely academic conversation. Yet, it was enough!
I talked with my good friend Bill
Halligan, president of the
Hallicrafters Company of
Chicago. I presented him with a
copy of SOUTH OF THE
SAHARA, a book of mine which
had then just appeared. I pointed
out to him several chapters which
described how I had happened to
become acquainted with the wonderful Hallicrafters short- wave radio
transmitters and receivers, and the absolutely splendid service they
had rendered my previous expedition.
What a pity, I said, that we hadn't got together when I was organizing
that tenth-and last-African venture of mine. What a job we could have
done together!
The fleet of International trucks, tractors and station wagons I had
then. Those marvelous Jungle Yachts I had thought up and
designed, which Count de Sakhnoffsky had styled so stunningly.
Instead of a small transmitter and a couple of receivers-we could
have had a full array of Hallicrafters machines of every kind, to make
the most modern equipment ever to set out for Africa. Instead of my
having to twist knobs and solve a puzzle, in an emergency or during
the rare minutes I could spare for fun-there should have been a
couple of good operators competently keeping this model station
regularly on the air many hours every day, methodically contacting as
many as possible of the 100,000 hams of the world, making
experiments and tests with them, checking the best frequencies and the performance of various sets,
from sea level up to 20,000 feet, and all in the Equatorial Zone, still so unexplored from the stand- point
of short-wave radio.
Wouldn't that have been positively a "natural?"
The trouble with me is that the more I talk, the more enthusiastic I
get. And the more I am fired with enthusiasm, the more I talk. Well,
this time I had talked too much. I knew it the minute I noticed the
expression on Bill Halligan's face. No wonder he had been called a
wizard of radio. I discovered that it doesn't take him long to imagine
a plan and to get action. Now, his expression meant that he had
visualized everything I had said, that he liked it, that he was ready for
it.
But I wasn't. I had been talking about what could have happened
with my previous expedition, my last one. I didn't want to go back to
Africa. I didn't feel up to it. I wanted to stay home, to enjoy the hard-
earned little paradise of Glenbrook House in Derby Line; to have
same quiet, some peace, some rest.
I wanted to explain all this to Bill Halligan. When he said: "What shall
we call it?" I should have answered-: "A day." lnstead, I said- "How
about 'The Gatti-Hallicrafters Expedition to the Mountains of the
Moon'?"
TWO YEARS and one month later, the end of November, 1947, saw
the Gatti-Hallicrafters Expedition assembled in New York, ready to
embark for the long sea journey to Mombasa, Kenya Colony, British
East Africa, and for the longer safari through Kenya, Tanganyika and
Uganda that would finally take us to our ultimate goal, the 17,OOO-
foot Ruwenzori Range, the "Mountains of the Moon" of the ancient
geographers.
During those 25 months of preparation, I hadn't known one single
day of rest. Neither had Glenbrook House, in quiet Derby Line. Entire
new rooms had been built or adapted to accommodate an ever-
increasing staff of assistants. The six-car garage had been
transformed into a carpenter shop, where hundreds of special boxes
to contain our equipment had been built out of plywood, hinged,
hasped, painted, stenciled with the expedition's logotype.
Throughout the house, dozens of cases being filled or emptied had
become as commonplace as chairs or tables, because some of us would always be darting back and
forth between Vermont and Chicago, New York, Boston, Washington, Elkhart, Milwaukee, Rochester,
Buffalo-or welcoming groups of people who had come from all these places, and many more, because I
didn't have the material time to go and discuss business with them.
The biggest trouble was that practically everything I needed to make the Gatti-Hallicrafters Expedition
what I wanted it to be had to be specially modified and adapted to my specifications, or to be expressly
constructed from beginning to end according with my drawings. And this just during those immediately
postwar months when most things were extremely scarce, if not unobtainable.
I needed a reliable manufacturer who would translate into ultra-
strong, well-insulated, beautiful- looking trailer coaches all the new
ideas which I had incorporated in my drawings for a "Shack-on-
Wheels" to beat all shacks, on wheels or not; for an ultra- modern
"Rolling Lab" in which to develop, print and enlarge black-and-white
film, to process from A to Z professional color, regardless of locality,
availability of pure water and of the craziest jumps in temperature;
for a house trailer for my wife and another for myself, to contain, in
addition to sleeping quarters and complete bathrooms, one a
comfortable dining room, the other a quite elaborate large office.
I wanted smaller trailers to accommodate our white personnel in the
utmost comfort. I wanted special tents for white men and for native
boys; power units; light boats and outboard motors; still, motion
picture, stereoscopic cameras; huge quantities of black-and-white
film, infra-red and color raw stock; scientific instruments; medicinal
products; provisions of every kind.
Above all, I had to have dependable trucks. Enough of them to
transport all of us, to carry all these tong of delicate equipment and,
at the same time, to tow all these trailers and house trailers and
trailer coaches. Trucks which could be relied upon for doing such a
job over "roads" the very thought of which gave me shivers, as well
as across open country when even those "roads" gave up the
ghost-along broiling, sandy low plains and narrow, steep goat paths
that climbed to chilly altitudes.
Of course, I wanted Internationals. Not two or three, but eight of
them. At a time when it seemed impossible to get even one.
Those twenty-five months!
How we did it I don't know, but one by one we ware them down. At the end of them, there was the Gatti-
Hallicrafters Expedition-gathered in and around the International Harvester showroom at 570 West 42nd
Street, New York, being looked over by the press and by hundreds of friends.
It was an impressive sight. The Schult Trailer Company of Elkhart, Indiana, had managed to bring my
drawings to reality, down to the last detail. Our two house trailers, as well as the "Rolling Lab" and the
"Shack-on-Wheels" which the Hallicrafters Company had lined up with their splendid equipment, were
there for everybody to admire. Each of the three Higgins camp trailers for the personnel carried on its
top an Aero-Craft aluminum unsinkable boat and an Evinrude outboard motor at hand. Two more 2-
wheel trailers contained 10,OOO-watt, 110-volt, fully automatic power-generating plants.
Believe it or not, the eight Internationals were there too: two KB-I station wagons, four KB-3's with
specially built bodies and photographic platforms, and two International KB-5's-eight trucks hooked to
the eight trailers, alt loaded with equipment to the limit of their capacities and beyond.
The whole caravan was painted with the same logo-colors which scores of tests had proved most
effective for color and monotone photography against all expected skies and backgrounds: International
red No. 30 up to window height; aluminum silver tops; light french gray in between, and for tarpaulins;
royal blue for logotype, trimmings and identification numbers.
The caravan was bristling with antennae. In addition to the three huge ones of the "Shack-on- Wheels,"
each of the eight truck-and-trailer units had its own to take care of its FM two-way radio telephone for
intercommunication in station and in motion, between unit and unit, and between them and the
expedition's Main Camp.
The all-American personnel, in addition to my wife and myself, consisted of two amateur radio
operators, one staff correspondent for the International News Service, and two photographers, one
specializing in color stills, the other in color movies. In Mombasa, also, two Englishmen were to join us,
one as my secretary, the other as camp manager.
Lions being the natural,
most deadly enemy of the
Masai's cattle, moran still
kill them, but by getting
after simba in large groups
and destroying it with a rain
of spears, thrown from the
safest distance possible.
The hunters devide the
lion's mane among the two
or three whose spears
have most luck and these
make for themselves
headdresses that are
handsome and impressive.
Almost as inquisitive and
acquisitive as the Masai
woman is the ostrich.
Several times we saw a
group of comic ostriches
approach one of our trucks
and try to get bites out of the
body and the tires. Their
greatest delicacy was the
blue flashbulbs our
photographers had
discarded. Good for the
digestion, you know!
.
One of the expedition's
station wagons is framed by
masts and furled sails as we
visit a flotilla of dhows in the
small harbor of the Kavirondo
Gulf of Victoria Nyanza,
Africa's greatest lake and
second largest of the world.
These boats, used for net
fishing, are simplified,
smaller replicas of the Arabic
shows which for many
centuries have plied the Red
Sea and the Indian Ocean,
and which were responsible
for the transportation of most
of the slaves from Africa's
east coast.
!
.
The young Masai of Kenya,
when he reaches manhood,
goes through an elaborate
initiation. Then he becomes
an moran (warrior) and must
serve for seven years before
being permitted to marry and
start the nomad's life in
perennial search of fresh
pastures for the clan's
inmense heard of cattle.
These are four full-fledged
moran, their headdresses
made of lion's mane or of
ostrich feathers, their shields
of cowhide painted with each
clan's special insigne.
Tremendously impressed by
the fleet of colourful trucks,
the primitive sightseer
concentrates on the simple
magic of rear-view-mirrors,
an attraction which no native
visitor could resist. This one
goes through the usual
performance of grimacing
unendingly before the
looking glass.
Gathered in
INTERNATIONAL
HARVESTER's New York
showrooms prior to
departure for Africa. Cmdr.
Gatti receives
congratulations from James
Melton (center in striped
suit), star of Harvester's
Sunday afternoon radio
program, other IH-officials,
as well as officers of other
firms participating in
readying the eleventh
venture of the veteran
African explorer. Seated
inside the truck is Weldon
King, Gatti's chief aid in
charge of color photography.
CMDR. GATTl rejoices over
successful completion of his
eleventh expedition on
arrival in U. S. after spending
many months in British East
Africa.
DISAPPEARING into the
hold of the S. S. African
Pilgrim at New York for
shipment to Mombasa,
British East Africa, is one of
the eight International trucks
selected by Gatti for the
arduous work of transporting
his expedition over the many
difficult miles of roads and
trails in the safari to the
`Mountains of the Moon`.